Wednesday, August 20, 2014

WARM UP 2014







Even though the weather is already cooling down, you still have a few more chances to Warm Up at MoMA PS1.  The gravel courtyard of the Museum of Modern Art's contemporary outpost in Long Island City swarms with trendy folks on Saturday afternoons, grooving to one of many DJ sets and posing for photos.  You'll also get to explore The Living's installation in the courtyard, the winner of this year's Young Architects Program.  The installation is called Hy-Fi and is made of 100% organic materials, all self-contained and produced.  You can read more about it here or just head over to PS1 on Saturday.

Check out my outfit from last year's Warm Up here.

Tunic: Mara Hoffman
Chambray pants: J. Crew
Shoes: Belle by Sigerson Morrison
Sunglasses: Duane Reade

My dear friend Katie, founder of the dating website Clycked, kindly shot these photos & facilitated mingling.  Thanks to Hannah Kauffman for providing gratis tickets!

Tuesday, August 12, 2014

MARC QUINN FLORALS


Under the Volcano, Acavar Bolivia, 2010


New Mexico Water, 2010


First Cataract of the Nile, 2010

Marc Quinn (b. 1964) is part of the YBAs (Young British Artists), a group that includes Liam Gillick, Damien Hirst, and Tracey Emin, among others.  Much of his work is larger-than-life, and deals with themes of nature, the body, and our relationship to both.

One way that Quinn explores these themes is through "genetic modification and hybridism"; in other words, using flowers as a stand in for human life.  In one of his series, he created stunning horticultural displays of frozen flowers which are able to escape decay through an electrical power source.  Similarly, in "Eternal Spring", Quinn preserves flowers indefinitely by soaking them in silicone.  The paintings depicted here are eerily pristine, capturing an otherworldly perfection and simultaneously bringing to mind the constant decay that surrounds us.

See other floral posts here and here

Romper: Peter Pilotto for Target
Straw Hat: Purchased in St. Thomas

Marc Quinn photos from Artsy.net; photos of me by Jacque Skowvron.

Thursday, August 7, 2014

GEMSTONE GEOMETRIC


This is the second time that my outfit found affinity with the work of Canadian artist Shannon Finley.  I'm drawn to the fragmented geometry of her works, both in my design sense as well as my fashion sense.  Of course, her sense of color theory adds to my fixation.

I spotted this dress in the window at J. Crew a few months ago and was pleasantly surprised to find it on Final Sale recently.  They always have the best (and most artful) prints!

Dress: J. Crew (Still available here; the colors are MUCH more vibrant in person!)
Shoes: Salvatore Ferragamo Vara (patent version available here)
Necklace: H&M
Sunglasses: Suno

Finley image from Artsy.net, photos by Kathy Paciello.

Saturday, August 2, 2014

HBD, Arthur Dove


"We cannot express the light in nature because we have not the sun. We can only express the light we have in ourselves." 

Happy birthday to Arthur Dove, the author of this quote, born on this day in 1880.  Dove is often considered to be the first American abstract painter.  Outfit details and more here.


Wednesday, July 23, 2014

INFLATABLE









It was the fall of 2008, and I was a young, questioning graduate student.  I eagerly queued outside the Museum of Modern Art on a Tuesday evening for a chance to hear Jeff Koons speak, with the hopes of asking him a two-part question I'd been dying to hear his answer to:
"Do you ever feel guilty for taking the credit, fame, and fortune for your work that is created by your studio assistants?  Could you comment on the removal of the artist's hand from the creation of work and what that means for young artists today?"
I anxiously listen to Koons speak about his work and its relation to contemporary art, and when Q & A time came round, I raised my hand, prominently waved, and loudly asked the question I'd come to hear the answer to when he called on me.  Instead of providing a response, he mumbled something about the artist's right, and moved on to the next question.  Disappointed by his response (or lack thereof), I wrote a paper about the experience and my thoughts on artists like Koons and Damien Hirst who profit from the work of their assistants.

Koons' retrospective at the Whitney Museum of American Art features work from every stage of the artists' career and oeuvre, and I couldn't help but think about the studio assistants behind the larger-than-life artwork.  Did you see the exhibition?  What did you think?

Dress: H&M
Inflatable flowers: Amazon
Shoes: Keds
Handbag: Jeff Koons for H&M


Photos by Hannah Kauffman; assistance by Maureen Nacy.

Tuesday, July 8, 2014

TO THE LIGHTHOUSE



Georges Seurat, The Lighthouse at Honfleur, 1886
Stephen Scott Young, Dawn's Light, Coast of New England, 2008
Paul Resika, Blue Wave, 2008
Andrea Kowch, Light Keepers

I just returned from a much-needed, albeit brief vacation in the mid coast of Maine.  On my last day, I was able to explore the Historic Lighthouse at Pemaquid Point, located in a picturesque setting on the rocks since 1827.

While we were clambering around on cliffs, I began considering the various depictions of the lighthouse in painting.  In a quick search on Artsy.net, I compiled these few widely varied examples, ranging from a close-hued Pointillist painting from the 19th century by Georges Seurat, to contemporary painting, both Realist and abstract, to a fantasy-like, almost Surreal, contemporary work by Andrea Kowch (previously featured here).

Which style do you prefer?

Dress: Vintage (thrifted for $5!)
Shoes: Sperry
Hat: H&M

Images via Artsy.net; Photographs by Hope Huynh.




Wednesday, June 25, 2014

TIMES OF THE DAY


Blinky Palermo, Times of the Day I–VI (1974–76)

I found this photo while rummaging through old files on my laptop, and realized how much I want to revisit Dia:Beacon.  This particular work by Blinky Palermo is on long-term installation there, and includes 25 different canvases that represent the various lightness or darkness of the times of the day, from sunrise to sunset.

Have you been to Dia:Beacon?  I'd love to hear about your experience there.

Dress: Alexandre Herchcovitch
Sandals: Sam Edelman

Photo by Meri Feir.